Reviews
:: Telugu ::
Komaram Puli
Banner:
Kanakarathna Movies
Music: A R Rahman
Cinematography: Binod
Pradhan
Editing: Prabhakaran
Producer: Singanamala Ramesh
Babu
Story,Dialogues,screenplay &
Direction: S J Suryah
Cast: Pawan Kalyan, Nikisha
Patel, Manoj Bajpai, Nasser, Saranya, Charanraj, Ali, Girish Karnad,
Brahmaji, Shriya (special appearance), Cochin Haneefa, Gopinath etc
Release Date: 10th Sep 2010
This is the movie from Power star Pawan Kalyan after a long hiatus
after ‘Jalsa’. And this is the movie that has come in the
combination of SJ Suryah and Pawan that made big success a decade
ago with ‘Khushi’. Pawan, who has been keeping his fans in the lurch
for quite a while has finally arrived amidst tension and confusion
in the form of ‘Komaram Puli’.
Review
Story
The pregnant wife (Saranya) of an honest cop who is killed by the
villain Al-Saleem (Manoj Bajpai) vows to bring up her son as a tough
police officer. The kid grows up to be Komarum Puli (Pawan Kalyan)
and he is a role model to the entire police department.
Telugu Movie
Reviews
Saving the PM’s life, he gets to form ‘Puli Team’ which runs
independently of any external force. A missing case incident of
inspector Hussain (Suryah) gets him to Saleem and that eventually
blooms to become a battle between the two.
On the other hand, there is the heroine (Nikesha) who is doing her
best to woo Puli before and after marriage. What happens after that
forms the rest of the story.
Artists Performance:
Pawan Kalyan was loud and annoying, he reminded of Sai Kumar in
Kannada movies showing over energy at every dialogue of his. It kind
of looked eccentric than his trademark style of performance…
Nikisha is the saving grace of the film, her beautiful eyes and
fresh oomph gives ample visual feast and she has shown enough
confidence in body language and expressions in terms of her acting.
Manoj Bajpayee did his best to fit the big villain role and as
usual, his character was not etched well to give that heavy and
powerful impact.
Saranya was at her standard as a mother, crying when needed,
motivating when required and doing justice to her role.
Ali was stale, Shriya was not required at all, Charan Raj was apt,
Nasser was natural, Girish Karnad came and went, Brahmaji was brief,
the person doing the role of Nixon was rigid, the others came in to
fill the gap and the film duration.
Highlights:
Heroine
Disappointments:
No continuity from scene to scene:
* In one frame Pawan appears with long moustache and in immediate
scene with short one…
* In one scene the villain finds his car missing in Hyderabad City
Center and in immediate scene he confronts Pawan Kalyan in Bangkok
on a roof top helipad and asks to get back his car. …
* In one scene Pawan Kalyan wears khakhi uniform and in immediate
scene he appears in olive green…
No comedy:
* There is no instance where the audiences can laugh whole
heartedly.
* Pawan Kalyan’s so-called comedy with Nikesha Patel in second half
when she seduces him is miserable.
Weak Choreography:
* Shriya’s item song got wasted with weak choreography
* No song is gripping or holding the attention of audiences visually
Final Analysis:
Right from the word goes, the film takes a sloppy opening and the
introduction of Pawan Kalyan was ridiculous. Everything looked
disjointed and the feel was missing completely. Here are a few
blunders if we can call it
* poor graphics in Pawan Kalyan introduction sequences, they looked
* childish, hardly any punch in the introduction of Nikesha as well
* very wrong sequencing of songs and without proper choreography and
unwanted close up shots taking away the appeal
* each frame lasted not more than 5 seconds and it was visually very
disturbing
* weak content
* unwanted lectures from Pawan Kalyan for every situation
* cheap costume selection for Nikesha in many sequences
* The uniform of Puli Team which reminds us of private security
force
* The dual uniform of Pawan which leaves us with a confusion
* Negligible and silly comedy
* Not one gripping sequence
The list continues for long but overall, the film lacks the strength
or the maturity to really be called as a commercial entertainer.
Unfortunately, the strong presence of Pawan Kalyan was missing in
this and he looked quite aloof in the film without any involvement.
The major flaw for the film is the direction and raw handling of the
script with patchy screenplay. Editing was another disaster. Given
the budget involved even if the costs for the delay are taken away,
the film could have been much-much better. Not one song is
appealing, background score was just average. At the box office,
this will have a good opening but running successfully is ruled out.
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